Displaying items by tag: 88 Films

Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

We’ve got some more new announcement for you today, including a few interesting ones. And we have new disc reviews today as well. But first, I saw Dune: Part Two last night. So let me just share some very quick and non-spoiler comments. Here’s my initial reaction posted on social media afterwards...

“You see a film like DUNE: PART TWO and you think: That’s either the last great film of a dying Hollywood, or proof that there’s still a bit of life left in this industry. Either way, it’s a wonder. And absolutely perfect. Don’t look now, but Denis Villeneuve has just casually knocked out three of the greatest science fiction films of all time. See it on the BIGGEST POSSIBLE SCREEN.”

I guess “three of the greatest” depends on whether you calculate Dune as a single film or not. But Arrival, Blade Runner: 2049, and the combined Dune adaptation are all superb. I would rank them right up there with Kubrick’s 2001: A Space Odyssey, Ridley Scott’s Blade Runner and Alien, and the Wachowskis’ The Matrix. Maybe I’d add Spielberg’s Close Encounters of the Third Kind in there as well. All extraordinary pieces of hard science fiction cinema.

Honestly, if you liked Dune: Part One—and particularly if you loved Frank Herbert’s original novel, which is rightly regarded as the greatest work of science fiction literature—Villeneuve has just nailed the landing. [Read on here...]

Good afternoon, everyone! We’re well into the week before Christmas now and—as seems to be true every year—the period right around the holiday tend to be packed with review work, as all of the big fourth quarter titles keep rolling in. Last week was certainly that way, and this week is proving to be no different. So with that in mind, here’s a look at...

Stephen’s review of Gareth Edwards’ terrific sci-fi tale The Creator (2023) in 4K Ultra HD from 20th Century Studios via Buena Vista Home Entertainment.

Tim’s look at Fred Dekker’s The Monster Squad (1987) in 4K Ultra HD form Kino Lorber Studio Classics, Andrzej Zulawski’s Possession: Collector’s Edition (1981) in 4K Ultra HD from Umbrella Entertainment, and ALF: The Complete Series on DVD from Shout! Factory.

Dennis’ take on Marcel Sarmiento and Gadi Harel’s Deadgirl: 15th Anniversary Edition (2008) on Blu-ray from Dark Sky Films via Unearthed Films.

And Stuart’s thoughts on Georg Fenady’s Arnold (1973) on Blu-ray from Vinegar Syndrome.

Of course, that’s not all. We’re still working on several more new disc reviews that we hope to share before the Christmas holiday. For my own part, I’m currently checking out Umbrella Entertainment’s new Frank Herbert’s Dune & Children of Dune: Collector’s Edition Blu-ray box set, and I expect any time now have the new Avatar and Avatar: The Way of Water – Collector’s Edition 4K Ultra HDs in hand for review. So watch for those and more in the days ahead. [Read on here...]

All right, we’ve got a big week ahead of us here at The Digital Bits. As all of you know, the new James Cameron catalog 4K titles—The Abyss, True Lies, and Aliens—all drop via 4K Digital tomorrow. And we’ve got some big announcement news to share with all of you today as well. But first, we’ve got a new disc review for you...

Stephen has just turned in his thoughts on Kathryn Bigelow’s Point Break (1991) in 4K Ultra HD from Shout! Factory. Enjoy!

Now then... there’s big news today, more big news, and yet another piece of big news. So let’s start with that first one...

Paramount Home Entertainment has just officially set Herbert Ross’ original Footloose (1984) for release on 4K Ultra HD on 2/13/24. We’re awaiting confirmation of the A/V specs on this one, but the title will come in both Amaray and Steelbook packaging, and will have a Blu-ray and Digital copy code. All of the legacy extras from the Blu-ray will carry over. You can see the cover artwork at left and also below. [Read on here...]

All right, believe it or not, even after the insanity that’s been the last couple of days, we still have a bit more new release news to catch you all up on here at The Bits...

First things first… Lionsgate has officially set The Expendables 4, aka Expend4bles, for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. There will also a trio of retail exclusive versions, including an Amazon 4K with lenticular cover, a Best Buy 4K Steelbook, and a Walmart Steelbook 4-Film 4K Collection. All 4K versions of Expend4bles will offer Dolby Vision HDR and Dolby Atmos audio on a 100GB disc. Extras on the Blu-ray and 4K SKUs will include audio commentary with director Scott Waugh, 2 featurettes (Bigger, Bolder, Badder: The Expendables in Action and More Than a Team: New Blood Meets Old Blood), plus the film’s theatrical trailer. You can see the cover artwork at left and also below.

Lionsgate has also set Kevin Greutert’s Saw X for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. Look for HDR10 and Dolby Atmos on the 4K SKU. Extras will include audio commentary (with director-editor Kevin Greutert, cinematographer Nick Matthews, and production designer Anthony Stabley), the 6-part Reawakening documentary (includes I Want to Play a Game: Bleeding New Life into the Saga, This Time It’s Personal: Characters and Casting, Another Time, Another Place: Locations and Cinematography, There Will Be Blood: Production Design and Make-up, Leave Nothing to Chance: Post-Production, and Live or Die: Release and Legacy), 2 additional featurettes (Drawing Inspiration: Illustrated Scene Breakdowns with Kevin Greutert and Make-Up Department Trap Tests), deleted scenes, and the film’s theatrical trailer. Again, you’ll find the cover art below. [Read on here...]

We’re tracking a bunch of things today here at The Bits, so let me just give you a quick rundown.

First of all, Shudder and RLJE Films have set Rebekah McKendry’s Glorious for release on Blu-ray and DVD on 3/14.

For you UK readers, Eureka is releasing a new Masters of Cinema Blu-ray edition on May 22nd... Andrzej Żuławski: Three Films. Żuławski was a Polish filmmaker with a reputation as maverick. The three titles will include his debut film, The Third Part of the Night (1971), The Devil (1972), which was banned for 16 years in Poland, and the unfinished science fiction On the Silver Globe (1988), which the Polish government actually ordered destroyed, but the negatives survived and the film finally premiered at the Cannes Film Festival in 1988. Having all three of these preserved and released on Blu-ray is a minor miracle, so this should be a fantastic box set.

Meanwhile, 88 Films has revealed three more Italian deep catalog 4K Ultra HD titles for release in the months ahead, including Antonio Margheriti’s The Ark of the Sun God (1984) on 3/10, followed by Andrea Bianchi’s Burial Ground (1981) on 5/29, and Marino Girolami’s Zombie Holocaust (1980) on 6/26. [Read on here...]

We’ve got two new disc reviews for you today, as well as more interesting 4K Ultra HD news and a few other things as well. First up, those reviews...

Tim has turned in his thoughts on Kenneth G. Crane’s Monster from Green Hell (1957) on Blu-ray from The Film Detective.

And Dennis has offered his take on Michael Curtiz’s The Scarlet Hour (1956) on region-free Blu-ray from Imprint Films in Australia.

More reviews are on the way all this week, so be sure to stay tuned for them.

The big 4K news today is that Paramount has officially set Walter Hill’s 48 Hrs. (1982) and Another 48 Hrs. (1990) for release on 4K Ultra HD on 12/6, just as we’ve been anticipating. [Read on here...]

We’ve got only a quick news update for you today, as we’re busy working on more new disc reviews. Speaking of which...

Stephen has just posted his thoughts on Hirokazu Kore-eda’s Air Doll (2009) on Blu-ray from Dekanalog via Vinegar Syndrome.

More Blu-ray and 4K UHD reviews are definitely on the way.

Now then, the big news this afternoon is that Disney Media & Entertainment Distribution has officially announced that Taika Waititi’s latest Marvel Cinematic Universe entry, Thor: Love and Thunder, will arrive on Blu-ray, DVD, and 4K Ultra HD on 9/27. The Digital and Disney+ streaming release is set for 9/8. As always, the 4K will feature Dolby Atmos audio and HDR10 high dynamic range. [Read on here...]

We’re starting off the new week here at The Bits as we often do, with more new disc reviews...

Stephen has taken a look at Kenneth Branagh’s Death on the Nile (2022) in 4K Ultra HD from 20th Century Studios and Disney. The film was shot in large format on both 65 mm film and 8K digital, so the disc’s image quality is uniquely impressive.

But that’s not all: Stephen has also posted his thoughts on Henry Levin and George Pal’s The Wonderful World of the Brothers Grimm, which has been newly-restored for release on Blu-ray by our friends at The Warner Archive Collection in both 2.85:1 widescreen and also Smilebox format, replicating the look of the film on a 146-degree curved Cinerama screen.

More disc reviews are on the way tomorrow and all this week, so be sure to check back.

In release news today, Showtime Entertainment has announced the Blu-ray and 4K Ultra HD release of Ray Donovan: The Movie on 5/25. [Read on here...]

We have just a couple of items to report today, but there’s definitely some good catalog Blu-ray news. First though, another new Blu-ray review...

Dennis has turned in his thoughts on Leslie Norman’s The Night My Number Came Up (1955), a WWII-era drama from Ealing Studios that’s now available on Blu-ray from Kino Lorber Studio Classics. Do give it a look.

And while we’re on the subject of KL Studio Classics, the company has revealed its October slate of Blu-ray and DVD releases, which is set to include The Face at the Window (1939 – BD), Herbert Ross’s The Secret of My Success (1987 – BD), John Badham’s The Hard Way (1991 – BD), Richard T. Heffron’s Newman’s Law (1974 – BD and DVD), Lamont Johnson’s The Groundstar Conspiracy (1972 – BD and DVD), John Guillerman’s P.J. (1968 – BD and DVD), and Edward Dein’s Curse of the Undead (1959 – BD) all on 10/6, Ronald Neame’s The Chalk Garden (1964 – BD) and William Hale’s S.O.S. Titanic (1979 – BD and DVD) on 10/13, Bert I. Gordon’s Picture Mommy Dead (1966 – DVD and BD) and William Nigh’s The Ape (1940 – BD and DVD) on 10/20, and of course Clint Eastwood’s High Plains Drifter (1973 – BD and DVD) and Two Mules for Sister Sara (1970 – BD and DVD) on 10/27. [Read on here...]