Displaying items by tag: Radiance Films

Afternoon, folks! We’ve got a few new disc reviews, some great release news, and a fine bit of streaming TV news for you today as well! First as always, those reviews...

Kicking things off, Stephen has turned in his thoughts on Michael Mann’s Ferrari (2023), as released in 4K Ultra HD by Eagle Pictures in Italy. It’s a great little film, and here’s hoping that Neon and Decal will see fit to release it here in the States in 4K soon as well.

Stephen has also reviewed Lucio Fulci’s City of the Living Dead (1980) in 4K Ultra HD from our friends at Arrow Video.

Not to be outdone, Tim has turned in his thoughts on Jesús Franco’s Night of the Blood Monster (1970), aka The Bloody Judge, in 4K Ultra HD from the good people over at Blue Underground.

Dennis has offered his take on Theodore J. Flicker’s The President’s Analyst (1967) on Blu-ray from Kino Lorber Studio Classics.

And Stuart rounds things out today with his review of Yasuharu Hasebe’s Black Tight Killers (1966) on Blu-ray from the team at Radiance Films.

As always, more reviews are on the way so be sure to keep your eyes peeled for them!

Now then, a quick follow up. As many of you know, we’ve been running an interactive poll on our Patreon and Twitter/X pages over the past week on behalf of Lionsgate Home Entertainment. The question was: For the studio’s new 4K catalog Steelbook line, would you prefer new custom artwork or original poster artwork? Nearly three thousand of you voted in all (2,959 to be exact), with 1,166 votes (38.41%) for new custom artwork and 1,793 votes (60.59%) for original poster artwork. [Read on here...]

We’ve got some more new announcement for you today, including a few interesting ones. And we have new disc reviews today as well. But first, I saw Dune: Part Two last night. So let me just share some very quick and non-spoiler comments. Here’s my initial reaction posted on social media afterwards...

“You see a film like DUNE: PART TWO and you think: That’s either the last great film of a dying Hollywood, or proof that there’s still a bit of life left in this industry. Either way, it’s a wonder. And absolutely perfect. Don’t look now, but Denis Villeneuve has just casually knocked out three of the greatest science fiction films of all time. See it on the BIGGEST POSSIBLE SCREEN.”

I guess “three of the greatest” depends on whether you calculate Dune as a single film or not. But Arrival, Blade Runner: 2049, and the combined Dune adaptation are all superb. I would rank them right up there with Kubrick’s 2001: A Space Odyssey, Ridley Scott’s Blade Runner and Alien, and the Wachowskis’ The Matrix. Maybe I’d add Spielberg’s Close Encounters of the Third Kind in there as well. All extraordinary pieces of hard science fiction cinema.

Honestly, if you liked Dune: Part One—and particularly if you loved Frank Herbert’s original novel, which is rightly regarded as the greatest work of science fiction literature—Villeneuve has just nailed the landing. [Read on here...]

We’ve got no less than five more new disc reviews for you all to enjoy today...

I’ve just posted my thoughts on Quentin Tarantino’s Reservoir Dogs (1992) in 4K Ultra HD from Lionsgate.

Stephen has checked in with a look at Tobe Hooper’s The Texas Chainsaw Massacre 2 (1986) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Julien Temple’s Earth Girls Are Easy (1988), the new Vestron Video Collector’s Series title on Blu-ray from Lionsgate.

And Tim has taken a look at Lewis Gilbert’s Damn the Defiant! (1962) on Blu-ray from Imprint Films, as well as Montgomery Tully and Dennis O’Keefe’s The Diamond Wizard (1954) on Blu-ray 3D from Kino Lorber Studio Classics, via a great new restoration by the 3-D Film Archive.

In announcement news today, Lionsgate has set Hype Williams’ Belly for release on 4K Ultra HD on 1/24/23. There will be a wide release that includes a Blu-ray and Digital copy, along with a Best Buy-exclusive Steelbook package. Look for the package to have a new Dolby Atmos mix, along with the following special features: audio commentary with Williams, Spoken Word, a deleted scene, and the Grand Finale music video. [Read on here...]