Displaying items by tag: Ignite Films

We’ve got three more new disc reviews for all of you to enjoy today, including…

Tim’s thoughts on Jess Franco’s The Castle of Fu Manchu (1969) in 4K Ultra HD from Blue Underground as well as David Schmoeller’s Crawlspace (1986) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Stephen Sayadian’s Café Flesh (1982) on Blu-ray from Mondo Macabro.

Before we get going today, it looks like we finally know what the next two Steven Spielberg films are that are going to be released in 4K Ultra HD: Multiple retail sources are reporting that both Minority Report (2002) and Catch Me If you Can (2002) are coming to the format before the end of the year from Paramount. Street date for each is TBA, but this isn’t entirely surprising—both films have been recently available Digitally in 4K. As more information comes in, we’ll be sure to let you know.

Speaking of Paramount, their long-delayed 4K Ultra HD Steelbook release of Karyn Kusama’s Æon Flux (2005) is finally set for 10/7.

Also, we have a street date for Christopher McQuarrie’s Mission: Impossible – The Final Reckoning (2025) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook. Look for it to arrive on 10/14. [Read on here...]

Our friends at the Criterion Collection have just closed out the week by announcing their August slate of Blu-ray and 4K Ultra HD titles, and it’s interesting indeed. There are few, what one might call, major titles this month, but there are some interesting art house gems. The slate includes...

Kon Ichikawa’s Fires on the Plain (1959) (Spine #378 – 4K + Blu-ray and Blu-ray) and The Burmese Harp (1956) (Spine #379 – 4K + Blu-ray and Blu-ray) on 8/5, Youssef Chahine’s Cairo Station (Spine #1273 – Blu-ray and DVD) on 8/12, A Confucian Confusion / Mahjong: Two Films by Edward Yang (1994-96) (Spine #1275 – Blu-ray) and Vittorio De Sica’s Shoeshine (1946) (Spine #1272 – 4K + Blu-ray, Blu-ray, and DVD) on 8/19, and finally Maura Delpero’s Vermiglio (2024) (Janus Contemporaries – Blu-ray and DVD), Alice Wu’s Saving Face (2004) (Spine #1276 – Blu-ray), and Zeinabu irene Davis’s Compensation (1999) (Spine #1274 – Blu-ray and DVD) on 8/26.

Curiously, there aren’t a lot of 4K titles in this batch, but I strongly suspect it’s because they have many more in the works. In any case, you can read more about these titles on Criterion’s website here. And don’t forget that they’re running their Spring Sale until 5/26, offering 30% of all discs. [Read on here...]

We’ve got several new disc reviews for you today here at The Bits, including...

Stephen’s look at David Fincher’s Zodiac (2007) in 4K Ultra HD from Paramount, along with his look at Shout! Factory’s Limited Edition Collector’s Set of Jim Henson and Frank Oz’s The Dark Crystal (1982) in 4K UHD, as well as Billy Wilder’s One, Two, Three (1961) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ reviews of Barnaby Thompson’s Mad About the Boy: The Noël Coward Story (2023) documentary on DVD from Kino Lorber, as well as Rebecca Snow’s The Boy in the Woods (2023) on Blu-ray also from Kino Lorber.

And Stuart’s take on Kurt Neumann’s Cattle Drive (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Indicator’s Columbia Horror Blu-ray box set, which includes Region B-locked editions of John Francis Dillon’s Behind the Mask (1932), Roy William Neill’s Black Moon (1934), Albert S. Rogell’s Air Hawks (1935), Charles Barton’s Island of Doomed Men (1940), Henry Levin’s Cry of the Werewolf (1944), and Will Jason’s The Soul of a Monster (1944).

More reviews are on the way soon, as always, so be sure to keep checking back both here and on our social media feeds (on Facebook, Twitter/X, and BlueSky). [Read on here...]

Afternoon, Bits readers! We’re back after the long 4th of July holiday here in the States with more reviews and announcements. As always, we’ll start with reviews...

Stuart has reviewed a pair of new Blu-ray titles, including Gregory La Cava’s Lady in a Jam (1942) and also Mervyn LeRoy’s Moment to Moment (1966) from Kino Lorber Studio Classics.

Stephen has checked in with his take on William Cameron Menzies’ Invaders from Mars (1953) on 4K Ultra HD from Ignite Films.

And Dennis has offered his look at Vincente Minelli’s The Courtship of Eddie’s Father (1963) on Blu-ray from the Warner Archive Collection.

Now then, in announcement news today, the big news is that our friends at Shout! and Scream Factory have just unveiled their September Blu-ray, DVD, and 4K Ultra HD release slate, and—as always—there are some gems to report. [Read on here...]

We’ve got quite a bit of ground to cover here at The Bits today to wind down the week, starting with a pair of new disc reviews...

Tim has offered his thoughts on Russell Mulcahy’s Razorback (1984) on Blu-ray from Scream Factory.

And Dennis has taken a look at Cecile B. DeMille’s The Crusades (1935) on Blu-ray from Kino Lorber Studio Classics.

As always, lots more new disc reviews are on the way next week, so be sure to check back for them.

Now then, we’ve got quite a lot of great new 4K Ultra HD and Blu-ray release news to report today, starting with our friends at The Criterion Collection, who have just announced their July slate. [Read on here...]

All right, there hasn’t been a lot of release news to report over the last couple of days, but we do have a bunch of new disc reviews for you to enjoy...

I’ve taken a look at the Criterion Collection’s new 4K Ultra HD release of Ingmar Bergman’s The Seventh Seal (1957), which streets next week.

Tim has reviewed the DreamWorks animated spin-off/sequel Puss in Boots: The Last Wish in 4K Ultra HD from Universal.

Dennis has checked in with his thoughts on Elliott Nugent’s Never Say Die (1939) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his take on Fernando Trueba’s Memories of My Father (2020) on Blu-ray from the Cohen Media Group via Kino Lorber.

And finally, Stephen has reviewed Christopher Berkeley and Sam Liu animated Batman: The Doom That Came to Gotham in 4K Ultra HD from DC and Warner Bros., as well as Adrian Lyne’s Flashdance (1983) in 4K Ultra HD from Paramount.

As always, more reviews are forthcoming, so be sure to keep checking back for them. [Read on here...]