Displaying items by tag: The Cinema Guild

To kick off a new week today, we have some interesting release news and a new disc review to share as well. Let’s get to the latter first...

Tim has offered his thoughts on Michele Soavi’s The Church (1989) in 4K Ultra HD from our friends at Severin Films.

More reviews are forthcoming this week, so be sure to stay tuned for them.

Also today here at The Bits, we’ve expanded our Patreon poll about Lionsgate 4K catalog Steelbooks to our Twitter/X page with just a day and a half left. The question is: Lionsgate Home Entertainment is developing a new line of 4K Ultra HD catalog Steelbooks, including many titles released previously as Best Buy exclusives, and they’d like your opinion: Would you prefer the covers to 1) feature newly-created custom artwork, or 2) the film’s original poster artwork? You can vote right now here on Patreon or here on Twitter/X and please take a moment to do so before the polls end on Wednesday. Thank you!

Now then, the big release news today is that Criterion has just announced its July 2024 slate of Blu-ray and 4K Ultra HD titles, and this batch has some real gems as well as a couple of surprises. [Read on here...]

Published in My Two Cents

Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

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Today’s new disc reviews here on The Bits include...

Tim’s review of Phil Tucker’s Robot Monster (1953) on Blu-ray 3D from Bayview Entertainment.

Stuart’s in-depth take on the Essential Film Noir: Collection 4 Blu-ray box set from Imprint Films and Via Vision Entertainment, which features The Enforcer (1951), Beware, My Lovely (1952), Jennifer (1953), Rope of Sand (1949), and Appointment with Danger (1950).

And Dennis’ look at Elliott Nugent’s The Great Gatsby (1949) on Blu-ray also from Imprint and Via Vision.

In announcement news today, Lionsgate has set Jalmari Helander’s Sisu for release on Blu-ray, DVD, and 4K Ultra HD on 7/11, with the Digital release available today. The 4K will be available in a wide-release Amaray SKU and also a Best Buy-exclusive Steelbook. Extras will include a pair of featurettes (Indestructible: Making Sisu and Pushing the Boundaries of Reality: The Visual Effects of Sisu). Audio on both the 4K and Blu-ray will be included in 5.1 Dolby TrueHD format. High dynamic range is likely HDR10 only on the 4K SKUs. [Read on here...]

Published in My Two Cents