Displaying items by tag: The Boy and the Heron

We’re closing out the week here at The Bits with a bunch of release news and more new disc reviews as well. The reviews include...

Tim’s take on Rocky Morton & Annabel Jankel’s Super Mario Bros. (1993) in 4K Ultra HD from Umbrella Entertainment—the deluxe Trust the Fungus edition.

Stuart’s look at Hal Ashby’s Coming Home (1978) on Blu-ray from Kino Lorber Studio Classics, as well as his review of Kino Lorber’s Homicide Hills: The Complete Series on DVD.

And Dennis’ reviews of Frank Lloyd’s Blood on the Sun (1945) and Alfred L. Werker and Anthony Mann’s He Walked by Night (1948), both on Blu-ray also from Kino Lorber Studio Classics.

Also, just to let you know, we’ve been sharing some additional content for our supporters over on Patreon, including essays on Godzilla Minus One’s visual effects Oscar win and the difficulty in creating or evaluating home video transfers for film, along with an exclusive tease about a trio of forthcoming 4K Ultra HD catalog titles that are in the works for later this year, my in-depth film review of Denis Villeneuve’s Dune: Part Two, and a little behind-the-scenes on a visit with some friends of The Bits who just so happen to have been involved with the Star Trek franchise for over 38 years.

Supporting The Bits on Patreon is a really great way to help us keep the site going, and doing so makes it possible for us to continue our work in support of physical media and disc fans everywhere. So please consider joining us there! [Read on here...]

All right, as mentioned earlier, we’ve got more release news to cover today here at The Bits. But first some new disc reviews...

Stephen has checked out Paul Verhoeven’s cult classic Showgirls (1995) on 4K Ultra HD from Vinegar Syndrome, which features the film in 4K UHD and Blu-ray, along with an additional Blu-ray full of special features. Stephen has also reviewed Peter Greenaway’s The Draughtsman’s Contract (1982) on Blu-ray from Zeitgeist Films and Kino Lorber.

Also today, Dennis has offered his thoughts on George Cukor’s Little Women (1955) and Abe Levitow’s animated Gay Purr-ee (1962), both new on Blu-ray from the Warner Archive Collection.

And Stuart has taken a look at the Norwegian legal drama Aber Bergen: Complete Series from MHz Networks and Kino Lorber, as well as Inés Toharia Terán’s Film: The Living Record of Our Memory (2021) documentary from Kino Lorber, both of them on DVD, along with the Warner Archive Collection’s Tintin and the Mystery of the Golden Fleece (1961) and Tintin and the Blue Oranges (1964) double feature Blu-ray.

Now then, speaking of Warner, Warner Bros. Discovery Home Entertainment and DC Studios have announced the Blu-ray, DVD, and 4K Ultra HD release of the Netflix original series The Sandman: The Complete First Season on 11/18, with a Digital release expected on 9/18. Note that a second season of the series is already on the way from Netflix. The set will include all 11 episodes, along with a pair of featurettes (The Sandman: Behind the Scenes Sneak Peek and The World of The Endless). You can see the cover artwork at left and also below. [Read on here...]

We’ve got one more quick update for you today here at The Bits. But first, we have two new disc reviews from Stephen...

He’s taken a look at Thom Eberhardt’s Night of the Comet (1984) in 4K Ultra HD from Shout and Scream Factory. And he’s also reviewed Scott Walker’s The Tank (2023) on Blu-ray from Well Go USA Entertainment.

Now then, the quick bit of news we have to report today is a follow up on something we predicted was coming here at The Bits several months back, which is that Universal Studios Home Entertainment is officially releasing the next wave of Alfred Hitchcock 4K Ultra HD titles on 10/31!

You’ll get the next box set of five films—The Alfred Hitchcock Classics Collection: Volume 3—as well as 4K single-film SKUs of each of the films in the set, including Rope (1948), The Man Who Knew Too Much (1956), Torn Curtain (1966), Topaz (1969), and Frenzy (1972). You can see the cover art for the box at left, and the singles below the break. [Read on here...]