Dailies
Saturday, 09 August 2025 00:06

Dailies – DREAM! (2025) Review

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In an era when movie musicals can live or die for a myriad of reasons, it’s tough to reconcile with the idea of actually making one, unless you’re chasing a success, such as Universal’s 2024 smash hit Wicked. In all fairness, that film took years to come to the screen after a massively successful run as a stage musical. There was an audience already in place to embrace it, and it not only managed to satisfy its fan base, but bring in outsiders in droves, becoming something of a pop culture phenomenon. It also had an extravagant budget for costumes, sets, make-up, and visual effects on par with many bigger budget comic book movies. Yet despite the ongoing notion that the movie musical is something of a dead genre, it was wildly successful. That’s certainly something that Hollywood, and even entities outside of Hollywood, would want to replicate.

None of that has anything whatsoever to do with Dream!, but it gives you some perspective when a true passion project comes down the line that others may dismiss as woefully derivative. Dream! is nothing of the sort. Instead, it’s the first full-length movie musical made in Thailand in fifty years, complete with an all Thai cast, composer, and orchestra. Directed by actor, writer, and cinematographer Paul Spurrier, and co-written with Jiriya Spurrier, Dream! pays homage to the classic movie musicals of old, with direct allusions to Oliver!, The Wizard of Oz, The Music Man, and The Sound of Music, among others, while establishing a fairy tale atmosphere.

Lek (Amata Masmalai) is a virtuous young girl with an unhappy home life in the mountains of Northern Thailand, dreaming of a day when her and her mother can find happiness. When her mother tragically dies, Lek runs away from home, seeking out a better life on her own terms. Along the way, she meets a variety of characters—some who want to help her, some who want to harm her, and others who choose to ignore her. As a consequence, Lek’s naivete will be tested, while also inadvertently teaching those that she meets the value of being a part of the world. [Read on here...]

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While the talents of the cast and crew are not to be dismissed, the true star of Dream! is Thailand itself. Beautiful widescreen compositions and gorgeous locations make up the film’s visual personality, giving us a taste of many countryside locales, small towns, and even big cities. Large sweeping shots of the forests and open meadows of Thailand are used often to encapsulate the world that Lek comes from. Rich golden hues in the first act are juxtaposed against the harsher blues and blacks in the second, signifying Lek’s progression out of her own reality and into the unforgiving world at large, where everything moves faster without any concern for her.

For Americans, Dream! will have a definite Hallmark holiday movie aesthetic to it, partially due to Lek’s obsession with Santa Claus and the presence of Christmas iconography in the larger world that she finds herself in. To that end, the film has a deep sentimentality, with a mild undercurrent of darkness. Lek’s adventures are akin to similar films about children on the road seeking a way out of the gloom, such as 1985’s The Journey of Natty Gann. In both cases, things eventually work out for our lovable protagonists, but they’re forced to go through some tough times in order to get there.

Fine performances from all of the actors are in place, as are a range of musical numbers, pushing the fairy tale aspects over the top. Young Amata Masmalai is endearing as the wide-eyed, wandering Lek, given an equally-lovely singing voice by Victoria Woodman. Masmalai not only conveys a natural sweetness and an innocence, but also manages to impart genuine emotion. Other notable performances include Chomphupak Poonpol as Lek’s mother, Vithaya Pansringarm as her villainous stepfather, and Adam Kaokept as the traveling salesman Dr. To, whom she encounters in her travels.

Many who see Dream! at a glance likely won’t understand what it is that it’s trying to achieve. It occasionally has unexpected tonal shifts akin to the work of Guillermo Del Toro, making it clear that things in Lek’s world can be just as dark as they can bright. Through and through, this is a fable, and as such, the story’s logic works on its own narrative frequency. This isn’t a realistic portrayal of a young girl dealing with the unpleasant truths of the outside world. Instead, there’s a good-natured benignity to the film that aims squarely for feel-good; not quite in a polished Disney way, but in a fantastic way that can still occasionally show some teeth if need be.

Above all else, Dream! is a pure passion project for those involved, and it shows. It doesn’t offer the extravagant budget slickness of a Hollywood production, but it doesn’t need to. That’s a part of its overall charm. This is an underdog situation wherein a group of talented people have come together to make something unique to their world. Dream! certainly captures that, and is most definitely worth appreciating.

[Note: A screener was kindly provided for this review. Dream! will be premiering at the Rhode Island Film Festival on Sunday, August 10th at 8:00pm at the Providence Showcase Cinema.]

- Tim Salmons

(You can follow Tim on social media at these links: Twitter, Facebook, BlueSky, and Letterboxd. And be sure to subscribe to his YouTube channel here.)

 

 

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