History, Legacy & Showmanship

History, Legacy & Showmanship

The Phantom Menace is the film that caused a generation gap in Star Wars fandom.” — W.R. Miller, author of The Star Wars Historical Sourcebook: Volume One 1971 to 1976

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of Star Wars: Episode IThe Phantom Menace, the first entry in the long-awaited prequel trilogy to the original 1977-83 Star Wars trilogy.

Marking series creator George Lucas’s return to directing, The Phantom Menace opened twenty years ago this month, with some fans camping out for days (plural!) to experience a screening on opening day. And while the movie was an undeniable box-office smash, breaking numerous earnings and attendance records, there was a great disturbance in the Force as the film left a lot of moviegoers and critics underwhelmed and disappointed. [Read on here...]


The Matrix managed to outdo Star Wars in terms of truly reshaping the zeitgeist mere months before George Lucas’ first prequel was supposed to roar into theaters and show everyone how big budget sci-fi is supposed to work.” — Zaki Hasan, co-author of Geek Wisdom: The Sacred Teachings of Nerd Culture

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of The Matrix, the popular, franchise-inspiring action/sci-fi/cyberpunk adventure starring Keanu Reeves (Bill & Ted’s Excellent Adventure, John Wick) and highlighted by Academy Award-winning editing, sound effects editing, sound, and visual effects.

Directed by The Wachowskis (Bound, Speed Racer), produced by Joel Silver (Die Hard, Lethal Weapon) and co-starring Laurence Fishburne (Boyz n the Hood, What’s Love Got to Do with It), Carrie-Anne Moss (Memento, Disturbia), Hugo Weaving (V for Vendetta, The Lord of the Rings), and Joe Pantoliano (Midnight Run, The Fugitive), The Matrix introduced moviegoers to Bullet Time and featured the music of Deftones, Marilyn Manson, Prodigy, Rage Against the Machine, Rammstein, and Rob Zombie. [Read on here...]


Chitty Chitty Bang Bang should be fondly remembered as the bastard child of Mary Poppins and James Bond.” — John Cork, co-author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Chitty Chitty Bang Bang, the musical-fantasy adaptation of Ian Fleming’s 1964 novel starring Dick Van Dyke (The Dick Van Dyke Show, Mary Poppins).

Produced by Albert R. Broccoli (the James Bond series) and directed by Ken Hughes (The Trials of Oscar Wilde, Cromwell), Chitty Chitty Bang Bang was highlighted by Irwin Kostal’s score and musical numbers by The Sherman Brothers, including their Oscar-nominated title song. Co-stars included Sally Ann Howes (Brigadoon stage production), Lionel Jeffries (The Trials of Oscar Wilde), Gert Frobe (Goldfinger), Anna Quayle (A Hard Day’s Night), Benny Hill (The Benny Hill Show), James Robertson Justice (The Guns of Navarone), and Robert Helpmann (The Red Shoes). [Read on here...]


Fanboys is significant in that it shows how fandoms can argue without completely going toxic.” — Bill Watters, BleedingCool.com

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 10th anniversary of the release of Fanboys, the cinematic love letter to Star Wars (and geek culture and fandom in general).

Directed by Kyle Newman (The Hollow, Taylor Swift music videos Clean and Style) and with a screenplay by Ernest Cline (Ready Player One) and Adam F. Goldberg (The Goldbergs), the long-in-production comedy starred Jay Baruchel (Tropic Thunder, She’s Out of My League), Dan Fogler (Balls of Fury, Good Luck Chuck), Sam Huntington (Being Human, Superman Returns), Christopher Marquette (Freddy vs. Jason, Race to Witch Mountain), and Kristen Bell (Forgetting Sarah Marshall, Frozen). The film also features a series of amusing celebrity cameos, including Carrie Fisher, William Shatner and Billy Dee Williams. [Read on here...]


Quantum of Solace demonstrates that the Bond franchise still relays a British imperialist standpoint through its depiction of the global south and continues to rely on problematic politics of representation that draw into question whether the films of the Daniel Craig era can be considered progressive within the Bond film canon.” — Lisa Funnell, co-author of The Geographies, Genders, and Geopolitics of James Bond

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 10th anniversary of the release of Quantum of Solace, the 22nd (official) cinematic James Bond adventure and second to feature Daniel Craig as Agent 007.

Our previous celebratory 007 articles include From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 2008’s Quantum of Solace. [Read on here...]


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