My Two Cents

Displaying items by tag: Warner Archive Collection

Afternoon, Bits readers! We’re back after the long 4th of July holiday here in the States with more reviews and announcements. As always, we’ll start with reviews...

Stuart has reviewed a pair of new Blu-ray titles, including Gregory La Cava’s Lady in a Jam (1942) and also Mervyn LeRoy’s Moment to Moment (1966) from Kino Lorber Studio Classics.

Stephen has checked in with his take on William Cameron Menzies’ Invaders from Mars (1953) on 4K Ultra HD from Ignite Films.

And Dennis has offered his look at Vincente Minelli’s The Courtship of Eddie’s Father (1963) on Blu-ray from the Warner Archive Collection.

Now then, in announcement news today, the big news is that our friends at Shout! and Scream Factory have just unveiled their September Blu-ray, DVD, and 4K Ultra HD release slate, and—as always—there are some gems to report. [Read on here...]

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We’re starting the week here at The Bits with more new disc reviews, including...

Stephen’s take on Charles Laughton’s The Night of the Hunter (1955) in 4K Ultra HD from Kino Lorber Studio Classics.

Dennis’ look at Fritz Lang’s Clash by Night (1952) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Dennis Hopper’s Backtrack (aka Catchfire) (1990) on Blu-ray also from Kino Lorber Studio Classics.

Be sure to watch for more new reviews from The Bits’ team all this week.

In announcement news today, we have a couple of big items to report. First, Paramount will release Tim Burton’s Sleepy Hollow (1999) on 4K Ultra HD in both Amaray and Steelbook packaging on 9/5. This is a title we’ve had in our 4K Ultra HD Release List here at The Bits as “coming in 2023” for a few months now. Expect them to include both Dolby Vision HDR and Dolby Atmos audio. You can see the cover artwork at left and also below. [Read on here...]

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All right, it’s been a busy couple of days here at The Bits, and we’re starting as always with more new disc reviews for you to enjoy...

First up, Stephen has taken a look a pair of titles, including Matthew Bright’s Freeway (1996) in 4K Ultra HD from Vinegar Syndrome, along with Dan Wolman’s Maid in Sweden (1971) on Blu-ray from Code Red.

Also, Dennis has reviewed Richard Pearce’s No Mercy (1986) on Blu-ray from Kino Lorber Studio Classics.

And Tim has offered his thoughts on Douglas Grossman’s Hell High (1989) on Blu-ray from Arrow Video, along with the first film from Arrow’s fantastic Shawscope: Volume One Blu-ray box set. He’s working his way through the set title by title, and today he covers Jeong Chang-Hwa’s King Boxer (1972, aka Five Fingers of Death).

As always, more reviews are on the way all week, so be sure to keep your eyes peeled for them. [Read on here...]

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All right, we’ve got a bunch of new release news for you today, along with a bit of an update on the whole Mad Max 2 4K replacement disc situation, which—I know—has become frustrating. So let’s get right into it...

First up, CBS and Showtime have released Dexter: New Blood on Blu-ray, Blu-ray Steelbook, and DVD. Street date was 3/22. The set includes a 30-minute featurette.

Mill Creek Entertainment is releasing a King Ralph: Retro VHS Blu-ray on 6/21. Also coming that day is a Heart and Souls Retro VHS Blu-ray.

MVD will release two new MVD Rewind Collection titles, including Michael Cimino’s Desperate Hours (1990) and George Armitage’s Miami Blues (1990) on Blu-ray on 7/19. Note that they also have Robert Bierman’s Vampire’s Kiss (1988) and Don Murphy’s Monday Morning (1990 – aka Class of Fear) coming on Blu-ray on 6/21. You can see the cover artwork below the break.

Universal will release Joe Wright’s Cyrano on Blu-ray and DVD on 4/19, staring Peter Dinklage and Haley Bennett. [Read on here...]

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We’re starting today with more new disc reviews, and then we have a major piece of catalog 4K news for you here at The Bits. First up...

Tim has taken a look at Sidney Lumet’s Murder on the Orient Express (1974) on Blu-ray from Paramount.

Dennis has reviewed J. Lee Thompson’s Eye of the Devil (1966) and Karl Freund’s Mad Love (1935), both new on Blu-ray from the Warner Archive Collection.

And Stephen has delivered his thoughts on a pair of new Umbrella Entertainment Region-Free Blu-ray releases, including Steve Jodrell’s Shame (1988) and Bruce Beresford’s Puberty Blues (1981).

Now then, let’s get to that big release news: Warner Bros. Home Entertainment has set Gene Kelly and Stanley Donen’s musical comedy Singin’ in the Rain (1952) for 4K Ultra HD release on 4/26, just as we first revealed here at The Bits way back in November. [Read on here...]

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Today’s update is a quick one, but we’ve got some good announcement news and a bunch of new disc reviews for you to enjoy. So as always, let’s start with the latter first...

I’ve now posted my thoughts on Cary Joji Fukunaga’s No Time to Die in Ultra HD from MGM and Universal, which offers a stunning 4K image, a very good Dolby Atmos mix, and a lean batch of extras that actually includes a nice 4K exclusive feature.

I’ve also reviewed Ridley Scott’s latest medieval drama, The Last Duel, new on 4K Ultra HD from 20th Century Studios. The film stars Matt Damon, Adam Driver, Jodie Comer, and Ben Affleck, and borrows liberally from Akira Kurosawa’s Rashomon.

Tim’s been busy reviewing as well, delivering his thoughts on William Lustig’s Maniac Cop 2 (1990) in 4K UHD from Blue Underground, as well as Budd Boetticher’s Wings of the Hawk in Blu-ray and Blu-ray 3D from Kino Lorber Studio Classics (with a restoration by the 3-D Film Archive). [Read on here...]

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We’ve got some big release news today, but first we’re starting the week off with a trio of new disc reviews...

I’ve given Akira Kurosawa’s Ran a look in 4K Ultra HD from StudioCanal and found it to be a pretty impressive upgrade, save for a less than stellar English subtitle translation. It’s definitely worth a look for cinephiles.

Also, I’ve just reviewed Mel Stuart’s Willy Wonka and the Chocolate Factory in 4K Ultra HD from Warner Bros, a release that celebrates the film’s 50th anniversary. It’s certainly never looked better (and it’s finally presented in the correct 1.85:1 theatrical aspect ratio as well).

Finally, I’ve also posted my thoughts on John Krasinski’s long-delayed A Quiet Place: Part II in 4K UHD from Paramount. It’s a more satisfying film than the original and it looks and sounds terrific, though the extras leave much to be desired.

More new Blu-ray and 4K UHD reviews are on the way later this week, so be sure to keep checking back for them. [Read on here...]

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Well, it’s been a busy week of new title announcements here at The Bits. So let’s wrap things up with a few more here today. But first, more new disc reviews...

Our own Tim Salmons has just shared his thoughts on Vince Monton’s Windrider (1987), new on Blu-ray from Umbrella Entertainment’s Ozploitation line-up. And he’s also checked out Mark Hartley’s excellent 2008 documentary Not Quite Hollywood: The Wild, Untold Story of Ozploitation!, also new on Blu-ray from Umbrella Entertainment’s Ozploitation line.

Meanwhile, Dennis has turned in a review of David Miller’s Back Street (1961) on Blu-ray from Kino Lorber Studio Classics.

And Stephen rounds things out today with a look at Francine Parker’s F.T.A. (1972) on Blu-ray from Kino Lorber Studio Classics.

So enjoy those and know that lots more disc reviews are on the way for next week, including some new 4K Ultra HD reviews from yours truly. [Read on here...]

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We’re kicking off the new week with more disc reviews...

For those who missed it, I posted my thoughts on Wolfgang Petersen’s In the Line of Fire (from Sony) and Adam Wingard’s Godzilla vs. Kong (from Warner Bros.) in 4K Ultra HD on Friday. They’re very different films, but each looks and sounds terrific, so do give them a look.

Also, Dennis has turned in his comments on George Sherman’s Larceny, a 1948 film noir that’s coming on Blu-ray from Kino Lorber Studio Classics on 7/13.

And Stephen has reviewed Arthur Barron’s Jeremy (1973) on Blu-ray, as recently released on the format by Fun City Editions.

We also have a brand new History, Legacy & Showmanship column from our own Michael Coate, which looks back at the theatrical release of Gordon Parks’ original Shaft in honor of the film’s 50th anniversary. The in-depth piece (four pages in all!) features a new roundtable interview with historians Josiah Howard and Lee Pfeiffer, as well as Shaft super-fan Chris Utley. You’ll find that here and it’s well worth a look. [Read on here...]

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