Inside Cinema – Mario Boucher on the concept of “Duelity” in today’s modern action https://t.co/4knH1DxBlh
I had to sit on maybe the biggest movie story in America. For a long time. And now that it’s been completed and is over, I’m shocked that the whole thing hasn’t been on the front page of The New York Times.
I’ve perhaps casually mentioned that I helped create (didn’t get in the way of) a film school here in Oklahoma City, actually at Oklahoma City Community College. The idea was, unlike film degrees that are based on watching and studying themes and points of view and reading scripts, the creative side, so to speak, to offer a technical, hands on degree program, why a community college was selected in the first place. And to enhance the experience, we got the finest equipment in the world – Avid editors and cameras and lenses and lights and then, through a lot of hard work from a lot of good people, here came the ultimate – a full end studio, built to the specs of an actual Hollywood soundstage. If another state funded school has a facility like this, I’d like to see it. [Read on here...]
Our own Tim Salmons has turned in an epic review of Criterion’s fantastic new Blu-ray/DVD release of It’s a Mad, Mad, Mad, Mad, World, which is available in stores now. Don’t miss it – both the review and the disc itself.
Also today, the good Dr. Jahnke has tuned in a new Burnt Offerings: MOD DVD installment today, running down the latest “manufactured on demand” DVD titles from Warner Archive and Fox Cinema Classics, so be sure to check it out. Marine Boy anyone? [Read on here…]