History, Legacy & Showmanship

Displaying items by tag: Quentin Tarantino

Welcome to a new week, Bits-ers! Hope you all had a good one, including all those of you who attended WonderCon in Anaheim this weekend.

Today is obviously April Fool’s Day, but rest assured we aren’t going to waste time with such tomfoolery here at the site this afternoon because we’ve got more new disc reviews for you, as well as some really great actual news too.

Let’s get to those reviews first. Today we have...

Stephen’s review of Ted Kotcheff’s North Dallas Forty (1979) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his take on György Kovásznai’s Bubble Bath (1980) on Blu-ray from Vinegar Syndrome.

And Stuart’s look at William Grefé’s Impulse (1974) on Blu-ray from Grindhouse Releasing, as well as Emmanuel Carrère’s Between Two Worlds (2021) on Blu-ray from Cohen Media Group.

Late last week, we also posted Tim’s reviews of Sam Raimi’s Drag Me to Hell (2009) in both regular and limited edition Blu-ray, as well as his reviews of Quentin Tarantino (etc)’s Grindhouse (2007) in both regular and limited edition Blu-ray, all from Via Vision’s Imprint Films.

And not to be outdone, Dennis has also reviewed Peter Yates’ The Dresser (1983) on Blu-ray from Imprint as well. [Read on here...]

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We’re starting today with a couple more new disc reviews including...

Stephen’s take on Disney’s new wide-release 4K Ultra HD version of their animated classic Cinderalla (1950), which looks fantastic and bodes well for future Disney 4K titles.

And Dennis’ review of Harry Beaumont’s The Broadway Melody (1929) on Blu-ray from the Warner Archive Collection.

Now then, the big announcement news today is that Sony Pictures Home Entertainment has finally (and officially) set Sydney Pollack’s The Way We Were (1973) for 4K Ultra HD release on 10/17 in a new 50th Anniversary Edition. [Read on here...]

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We hope those of you here in the States are all enjoying the long Memorial Day weekend. As it is a work holiday here today, there’s not a lot of official news to report. But we do have some significant 4K news from retail and other sources.

And we have some new disc reviews for you today as well, including...

Stephen’s look at Robert Rossen’s WWII classic They Came to Cordura (1959) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s take on the first season of a French TV title called Paris Police 1900 (2021) on DVD from Kino Lorber.

And Dennis’ review of Alexander Hall’s Little Miss Marker (1934) on Blu-ray from Kino Lorber Studio Classics.

More reviews are forthcoming this all week, so be sure to stay tuned for them. [Read on here...]

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Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

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We’ve got two new disc reviews for you on this lovely Tuesday afternoon, both of them by our own Stephen Bjork...

First up, he’s taken a look at Universal’s CG-animated prequel Minions: The Rise of Gru in 4K Ultra HD.

Stephen has also offered his thoughts on Fernando Di Leo’s The Violent Breed (1984) on Blu-ray from Code Red via Kino Lorber.

As mentioned yesterday, more new disc reviews are on the way including a few great new 4K catalog titles, among them The War of the Worlds from Paramount and The Lost Boys from Warner Bros. So watch for those and more in the coming days.

Now then, in announcement news, Sony Pictures Home Entertainment has officially set David Leitch’s Bullet Train (2022) for release on Blu-ray, DVD, and 4K Ultra HD on 10/18, with the Digital release expected on 9/27. [Read on here...]

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We’re back as promised this evening with more upcoming catalog 4K Ultra HD news and rumors from our studio, industry, and retail sources. Keep in mind, some of these titles are not yet officially announced, so the dates and details are subject to change.

First of all, this is a title we’ve known is coming for a few months now and while it’s not yet been officially announced by the studio, we do have the final cover artwork from retailers: Universal Studios Home Entertainment is expected to release their Universal Classic Monsters: Icons of Horror Collection – Volume 2 box set in 4K Ultra HD on 10/11.

The set will include The Mummy (1932), The Bride of Frankenstein (1935), Phantom of the Opera (1943), and Creature from the Black Lagoon (1954). You can see the cover artwork at left and also below.

It’s also believed that the titles in the studio’s Volume 1 set—Dracula (1931), Frankenstein (1931), The Wolf Man (1941), and The Invisible Man (1932)—will finally be released as single-film SKUs, for sure in the UK and possibly in the US as well. We’ll post more as soon as the studio makes any of this official. [Read on here...]

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We’ve got a great new disc review for you this afternoon, and we’ve got some significant release news to report as well. First up, that review...

Tim has just turned in his in-depth look at Rod Serling’s Night Gallery: Season Two (1971-1972) on Blu-ray from Kino Lorber Studio Classics as expected. Sounds like it’s another great release that’s loaded with special features, including audio commentary on many episodes. Don’t miss it.

Now then... file this in the “better late than never” category, but Universal has finally made their Blu-ray, DVD, 4K Ultra HD, and Digital release of Colin Treverrow’s Jurassic World: Dominion official, and it is indeed expected to street next Tuesday (8/16). Extras on the Blu-ray SKUs will include the Battle at Big Rock short film, the A New Breed of VFX featurette, and the multi-part Dinosaurs Among Us: Inside Jurassic World Dominion 45-minute documentary. You’ll also get both the Theatrical Version and a new 14-minute longer Extended Edition, which includes an alternate opening and more.

Both Blu-ray SKUs will include DTS-X object-based surround sound, and the 4K Ultra HD release will feature both HDR10 and Dolby Vision high dynamic range. You can see the cover artwork at left and also below. [Read on here...]

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All right, we’ve got a couple things for you all today here at The Bits to close out the week...

First, we’ve learned that Panasonic’s forthcoming new Ultra HD Blu-ray player, the DMP-UB900, will feature Blu-ray 3D compatibility. That’s good news for those of you who are serious BD enthusiasts and have been waiting for this unit. It’s only available in Europe at the moment (for around £600, which is about $870) and we don’t have a US street date or SRP yet, but it is coming to our shores by mid-year. Meanwhile, click here to read What Hi-Fi?’s review of the European version of the player.  [Read on here…]

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[Editor’s Note: Be sure to like TheDigitalBits.com page on Facebook for breaking news, site updates on the go, discussion with our staff and other readers, giveaways and more!]

So... as planned, I saw Star Wars: The Force Awakens last night in Hollywood, at the Arclight’s iconic Cinerama Dome with a great group of friends. Among them were names you’ve heard before here at The Bits (filmmakers, special edition producers, etc), including the likes of Robert Meyer Burnett, Alec Peters, Charles de Lauzirika, Chris Gore, Mary Forrest, Kevin Rubio, Daren Dochterman, Cliff Stephenson (and his fine young mini-Cliff), Dennis Przywara, Diana Kingsbury, my lovely wife Sarah, of course, and various spouses, partners, friends, etc. We gathered for dinner and drinks beforehand, saw the film, then regrouped for more drinks and discussion afterwards, as alpha-geeks are want to do.

First, let me offer you my thoughts on the film itself, 100% without spoilers...  [Read on here…]

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