History, Legacy & Showmanship

Alien (like other 1970s films such as Jaws, Superman, Close Encounters of the Third Kind, The Godfather, and Star Wars) was a seminal landmark in the upgrade of shopworn B-movie clichés — monsters, comic book characters, flying saucers, gangsters, Saturday afternoon serials — into major A-movie assets.” — Paul M. Sammon, author of Ridley Scott: The Making of His Movies

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Alien, the sci-fi/horror classic about the five-man, two-woman (and one cat) crew of the Nostromo, who got more than they bargained for after investigating a distress signal from a mysterious planet.

Suspense, atmospheric moodiness and Oscar-winning visual effects were among the highlights of Alien, directed by Ridley Scott (Blade Runner, Gladiator) and starring Tom Skerritt (Top Gun), Veronica Cartwright (The Right Stuff), Harry Dean Stanton (Repo Man), John Hurt (The Elephant Man), Ian Holm (Chariots of Fire), Yaphet Kotto (Live and Let Die), and Sigourney Weaver (Ghostbusters) as Ellen Ripley. [Read on here...]

“There Was No Quiet On The Western Front!”

The Digital Bits presents this retrospective on The Blue Max, the World War I adventure-drama starring George Peppard, James Mason and Ursula Andress and highlighted by aerial dogfighting and music by acclaimed composer Jerry Goldsmith. Directed by John Guillermin (The Towering Inferno, the 1976 remake of King Kong) and based upon the novel by Jack D. Hunter, The Blue Max was hailed by Newsweek as “Magnificent!” and characterized by The New York Times as, “Devil-may-care dogfights in the skies... devil-may-care love affairs on the ground.” Recently released on Blu-ray Disc from Twilight Time and soundtrack CD by La-La Land Records, The Bits celebrates this classic war film with a detailed listing of its original, major-market roadshow engagements in the United States and Canada as well as an interview with film music authority Jeff Bond, who discusses Jerry Goldsmith’s musical contribution to the film. [Read on here...]

 

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