My Two Cents: Blu-ray News - Aladdin: Diamond, Casual Vacancy & Studio Ghibli's I Can Hear the Sea http://t.co/ePXLMt1wAM
[Editor’s Note: Be sure to like TheDigitalBits.com page on Facebook for breaking news, site updates on the go, discussion with our staff and other readers, giveaways and more!]
We have two things for you today...
First, our own Tim Salmons has kicked off a new weekly feature of his Dailies column called Pick-Ups, in which he looks back at older and more unique titles on disc that you might have missed, but that are still well worth your time and attention. This week, Tim reviews the Region B/UK Blu-ray releases of Day of the Dead, Big Trouble in Little China, and The People Under the Stairs from Arrow Video. Do check the column and reviews out and we hope you enjoy them. [Read on here…]
Welcome to our new Dailies sub-column, Pick-Ups! It’s designed to feature older Blu-ray releases that we haven’t gotten around to reviewing until now (sorry about that!), as well as select international releases and other unique titles on disc. We’ll be doing this column on a weekly basis, so be sure to check back regularly for new titles that are worthy of your attention. [Read on here...]
Tim has a new Dailies column to kick things off here at The Bits for you today, featuring his thoughts on MST3K, its Rifftrax spin-off, and the recently blossoming art of making fun of bad (and good) movies seemingly everywhere around the Net. Do give it a look here.
In announcement news today, Anchor Bay has the Blu-ray release of the Ghost in the Shell: 25th Anniversary Edition on 9/30 (SRP $29.99). You can see the artwork left and below. It will include a new HD transfer of the film (1.85:1 aspect ratio) with audio in English DTS-HD MA 5.1 and Japanese Dolby Digital 2.0 (with English SDH). Additional details on extras (if any) will follow. [Read on here…]
It seems appropriate that I’m sitting here with a VHS copy of the Mystery Science Theater 3000 episode The Hellcats by my side (and not with the express intention of mentioning it for this article). Upon the day of the release of the Rifftrax Live show of Sharknado, I felt the urge to throw some of my thoughts and opinions about MST3K and its spin-offs out there just to have a little bit of perspective on the sudden growth in popularity of riffing on movies. And I already went into a pretty solid amount of detail about the show’s history when I reviewed the Collector’s Edition Blu-ray release of the movie of MST3K, so I won’t bother doing any sort of a recap. Chances are high that if you’re reading this article, you’re a fan of the show. So let’s just dive into it. [Read on here...]
Whatever you do, don’t fall asleep...
A Nightmare on Elm Street was first released in 1984 by New Line Cinema, being written and directed by Wes Craven. Since its inception, it has spawned seven sequels, a TV series and a remake of the original film. It has also managed to invoke more fandom and fanaticism than any other horror franchise in history.
As an extremely avid movie geek, I too have been a part of that fandom since I was an eight year old just getting into movies. I owned all of the films on VHS and bought all of the magazines, posters, comics and soundtracks that I could get my hands on. Like most people, I also had the obligatory Halloween costume: the hat, sweater and glove combination. I even went so far as trying to build my own Freddy glove out of soda cans, steak knives and work gloves. I was later amused to find out that I wasn’t the only one doing these things. People from all over the world have been constructing Freddy gloves in their basements and garages and selling them over the internet for many years. There haven’t been too many film franchises that have driven people to this seemingly maniacal and obsessive behavior, and that level of fandom shouldn’t be taken for granted. [Read on here...]
You have to give it to European filmmakers. They might not have always made effective horror films, but they usually always tried to inject some style or subtlety into them. I’m not saying that they weren’t capable filmmakers. They were, but they just didn’t always quite hit the mark when it came to something that would scare or disgust an audience. Some managed to pull it off, but others fell by the wayside. Filmmakers like Jean Rollin and Jess Franco were two of those hit or miss type filmmakers. Both men were more interested in pushing sexuality in their films while the framework wasn’t given as much attention. It all goes hand in hand with where you come from and what your passion is as a filmmaker.