my two cents 1000

We’re kicking things off today with a great new View from the Cheap Seats column from our own Bud Elder in which he muses over classic film scores, catches up on some of the recent deep catalog releases coming out on Blu-ray from the indie distributors, and has a few things to say about a fella named George Hamilton too. Do check it out!

Also available today is a new Blu-ray review from Jim Hemphill, none other than Fernando Leon de Aranoa’s A Perfect Day (2015), now available on disc from IFC Films and MPI Media Group.

Now then, in announcement news this afternoon… [Read on here…]

Published in My Two Cents

I think it’s time we caught up. Walking outside during this Oklahoma summer is like tasting something after it’s been in the microwave about eight minutes. The heat and stupidity started even before Memorial Day and has not abated. It’s like we’re living on Mars – I’ve been pricing those spacesuits which protected Matt Damon.

But thank goodness for the movies. Especially the kind one watches in the comfort of one’s own home. Let’s discuss.

Here’s a serious complaint – as I learned over the years, watching a great film is a multi-sensory experience – you see, you listen, you emote. And for me, always a major component of that experience is the music score. For those who pay attention, music is usually the heart of the movie – name a classic up through about 1990 or so for which you can’t hum a main theme. Or name a dud or two with a score that is better than the picture. [Read on here...]

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We’re kicking things off this afternoon with my review of the BBC’s Sherlock: The Abominable Bride on Blu-ray Disc. Sherlock is an absolutely fantastic series, if you haven’t already picked it up yet. I highly recommend it.

Also here at the site today, we’re pleased to welcome our very own Bud Elder back after a bit of an absence. He’s been a busy fellow these last few months, but he returns today with a new View from the Cheap Seats column featuring some thoughts on Film Noir and recent “B” classics on disc. Don’t miss it.  [Read on here…]

Published in My Two Cents

I’m trying to remember when I put it all together, when it dawned on me that there were these wonderful movies, shown, at the time, when there were only three local stations and local guys programmed the movies, after the last late show. They were cheap, even I could see that, but there was just something about these black and whites that kept me fascinated and many a long night I would suffer through local commercials just to see either justice done or perverted.

And the titles – Private Hell 36, Shack Out on 101, Kiss the Blood Off My Hands and Five Against the House. And the actors, has-beens and wanna-bes, but they were just terrific. Tom Neal and Ann Savage and Dennis O’Keefe and Preston Foster and Lawrence Tierney. And this was the “B” list.  [Read on here...]

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We’ve got a great new View from the Cheap Seats column from our own Bud Elder today, entitled The Biggest Movie Story in America, featuring another of Bud’s great stories and a rundown of recent releases. Don’t miss it.

Also today, Tim Salmons has just turned in a new review of Scream Factory’s Invaders from Mars (1986) on Blu-ray.  [Read on here…]

Published in My Two Cents
Thursday, 27 August 2015 11:57

The Biggest Movie Story in America

I had to sit on maybe the biggest movie story in America. For a long time. And now that it’s been completed and is over, I’m shocked that the whole thing hasn’t been on the front page of The New York Times.

I’ve perhaps casually mentioned that I helped create (didn’t get in the way of) a film school here in Oklahoma City, actually at Oklahoma City Community College. The idea was, unlike film degrees that are based on watching and studying themes and points of view and reading scripts, the creative side, so to speak, to offer a technical, hands on degree program, why a community college was selected in the first place. And to enhance the experience, we got the finest equipment in the world – Avid editors and cameras and lenses and lights and then, through a lot of hard work from a lot of good people, here came the ultimate – a full end studio, built to the specs of an actual Hollywood soundstage. If another state funded school has a facility like this, I’d like to see it.  [Read on here...]

(Photo by Robin Holland Photography)

Robert Altman said his last “that’s a wrap,” can you believe it, some eight or nine years ago and it seems as though any hope of mainstream studio films with emotional weight, sharp characters, social satire and natural, cliché free dialogue was buried right next to him.

Every Hollywood director since the beginning of the medium owes a debt to Robert Altman. His style was so distinctive, so fresh and so natural that people would say to themselves, “Oh that’s what directors do.”  [Read on here...]

Now where was I?

Sorry, I’ve not been here. I missed a bit – I’ll admit it and it for sure wasn’t to do with health or disinterest or a lack in passion. I just had to do stuff. But now I’m back.

But I come with good stories. Specifically regarding how movie awards season works.  [Read on here...]

[Editor’s Note: Be sure to like TheDigitalBits.com page on Facebook for breaking news, site updates on the go, discussion with our staff and other readers, giveaways and more!]

We’re pleased today to present the final review of Adam’s month-long Hell Plaza Oktoberfest 8 here at The Bits: It’s none other than the 1977 zombie/Nazi classic Shock Waves, directed by Ken Wiederhorn and presented on Blu-ray by Blue Underground! Congrats to Adam on another great Oktoberfest. We trust you all enjoyed it. If you did, be sure to send a little thanks and appreciation to Adam over on his Jahnke’s Electric Theater Facebook page.

Also here at The Bits today, we’ve got Bud Elder’s new View from the Cheap Seats column. This month, Bud asks the question: “What Movies Changed the Way You Look at Life?” He posts his own answer to this question, and challenges each of you to share your own lists too.  [Read on here…]

Published in My Two Cents
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