“[Batman Returns is] the first auteur superhero movie. I think the execs at Warners realized that you just let Tim Burton alone and let him make a Tim Burton movie and people will see it in droves.” — Danse Macabre: 25 Years of Danny Elfman and Tim Burton author Jeff Bond
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the silver anniversary of the release of Batman Returns, Tim Burton’s follow-up to the immensely popular 1989 Dark Knight adventure, starring Michael Keaton, Danny DeVito and Michelle Pfeiffer. [Read on here...]
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We’ve just a quick update for you today here at The Bits, but we do have some new reviews...
Our own Tim Salmons has checked in with a review of the Coen Brothers’ classic Fargo (the new 4K remastered edition) on Blu-ray from Fox and MGM, as well as Fox’s new Fargo: The Complete First Season TV series on BD (at least a little bit more of which actually takes place in Fargo, North Dakota, which is where I’m from). And since we’re on the topic, we thought it would appropriate to upgrade Dr. Jahnke’s fine analysis of Fargo on DVD (from way back in “aught four”) into the new review database as well. Enjoy! [Read on here…]
All right, let’s get the new week started off right, shall we?
I believe I promised you a new column from our own Michael Coate, so here it is. Today being the official 25th anniversary of the original theatrical release of Tim Burton’s Batman, Michael has delivered the latest installment of History, Legacy & Showmanship column: Wings of Change: Remembering Tim Burton's Batman on its 25th Anniversary. It’s well worth a read, as Michael’s column always are, delivering not one but two fine interviews and a wealth of detail. So be sure to check it out today.
And now for that surprise title announcement we mentioned on Friday: Paramount is finally making good on the Star Trek Into Darkness Blu-ray debacle with the 9/9 release of the 4-disc Star Trek: The Compendium Blu-ray box set (SRP $39.99)! [Read on here…]
“It has the personality not of a particular movie but of a product, of something arrived at by corporate decision.” — Vincent Canby, The New York Times
Blockbuster. Juggernaut. Game Changer.
The event, or tentpole, film was taken to new heights during the summer of 1989, and the industry hasn’t been the same since. Sure, there were hits — and megahits — before, but everything this did was new, unorthodox or amplified: mass-saturation marketing, title-less posters, narration-less trailers, loads of tie-in merchandise, dual soundtrack release, one-day-early sneak-preview screenings, anti-piracy electronic-coded release prints, shattered box-office records, home-video release while still in theaters, franchise. [Read on here…]