As one year fades away and a new year begins, it seems like a good idea to take a look at where the MOD initiative stands. And what better way to do that than by handing out some good old fashioned letter grades?
Yes, it’s time for the official Burnt Offerings 2013 Studio Report Card! Single file, children, and make sure you have your CEOs sign your report card and return them to me when the new term begins. [Read on here...]
Remember the Universal Vault Series, Universal’s intermittent foray into the world of MOD? Well, apparently Universal just remembered about it, too. On August 30, they released several new entries, quietly and with zero fanfare, presumably out of respect for those of us who were reverently observing the Feast of Alexander of Constantinople that day.
Of the various MOD programs, Universal and 20th Century Fox seem to be having the most trouble (I’ll be talking about Fox next week). Sony and MGM went through similar growing pains before partnering with Warner Archive for promotion and distribution. I’m not saying that all MOD needs to go through Warner Bros. But all MOD programs should be able to learn from Warner’s model. At least people know what’s available and when from them.
Anyway, here’s a look at what’s new from the Universal Vault Series. And if you’re interested in a complete list of available Universal Vault titles, I’ve posted one on the Jahnke’s Electric Theater Facebook page. All Universal Vault titles are available for purchase on Amazon here at this link. [Read on here...]
Some long out of print titles from both Warner Bros. and Paramount are the focus of this week’s new releases from Warner Archive. There are some first-rate choices this week, so let’s take a look at ‘em.
Targets (1968) – Boris Karloff gave his last great performance as Byron Orlock, a fading horror star who feels irrelevant in the modern world. He comes face to face with real terror in the form of a psychotic sniper, picking off victims at random. A remarkable early film from Peter Bogdanovich.
Frankenstein And The Monster From Hell (1974) – Hammer Films’ final Frankenstein entry finds Peter Cushing continuing his experiments in an insane asylum. David Prowse, still a few years away from becoming Darth Vader, plays the Creature. [...]
Before we get to this week’s new releases, I’d like to draw your attention to a worthwhile documentary project on the crowd-funding site Indiegogo. If you’re reading this column, you probably have some interest in classic Hollywood and the history of Los Angeles. If so, check out After 68, a documentary on the rise and fall of L.A.’s historic Ambassador Hotel.
The Ambassador and its adjacent nightclub, the Cocoanut Grove, was one of the key hot spots in Los Angeles, particularly throughout the 30s and 40s. It hosted two Academy Award ceremonies, was frequented by pretty much every major star you can think of, and was used as a filming location for everything from The Graduate to Tobe Hooper’s Toolbox Murders, which is how I was able to visit it. [...]
This will be a quick one, updating you all on the week’s newest releases from Warner Archive, so let’s dive right on in.
The Frozen Dead (1966) – An early JET’s Most Wanted pick finally makes its official DVD debut! Mad scientist Dana Andrews had the forethought to cryogenically freeze the heads of some of the top Nazi leaders of WWII. Now it’s time to bring them back and get the old Third Reich going again. Your Nazi Zombie collection isn’t complete without this one, folks. [...]