Stick
a Fork in HD-DVD. It's Time to End the Format War.
As long as we've been reporting on DVD and high-definition here at
The Bits (for the last decade
now), we've known two key print journalists that have covered DVD
and the home video industry at least as long as we have - T.K.
Arnold and Scott Hettrick. Arnold is currently the publisher and
editorial director of Home
Media Retailing, and is also a regular contributor to
The
Hollywood Reporter. For years, Hettrick was the home
entertainment editor for Daily
Variety, and served as editor-in-chief of
Video
Business. To get a pretty fair reading on which way the
wind is blowing in this industry, you need only read their thoughts
on the format war of late. So what do they have to say? Well...
among other things, Scott Hettrick is now the editorial director for
Hollywood
in Hi-Def.com, which is both sponsored by and dedicated to
coverage of the Blu-ray Disc format. Anyone who has read that site
in recent months will know that Hettrick's position in this format
war is clear. Meanwhile, Arnold has just posted a pair of strong
editorials calling for an end to the high-def format war. The first
was published at Home Media
last week -
A
Plea for a Unified, Blu Future. The second -
HD
DVD Backers Should Call It A Day - appears in next
week's issue (you'll find the
digital
version here - the piece is on page 7), and it's even more
direct that the first. To quote Arnold in this latest column:
"Toshiba and Microsoft, by stubbornly
continuing to back HD DVD at a point where it is clear that the
format cannot longer win, are threatening to derail the entire home
entertainment packaged-media business - Hollywood's primary cash
cow, and as such, a vital bloodline to the creation of new movies."
He goes on to say...
"Toshiba needs to swallow its pride and
do the right thing for our industry - and, in the long term if not
the short term, its own corporate shareholders."
While we respectfully acknowledge those of differing opinions,
particularly a select few of our peers in the online enthusiast
media, it should go without saying that we agree with Arnold's
argument and his overall sentiment.
Way back in 2004 and 2005, before these formats were launched, The
Digital Bits was strongly urging the industry to resolve
its differences and unite behind a single high-definition format,
knowing that a format war would get ugly and divide not only the
industry as a whole, but also enthusiasts. That, of course, did not
happen. Based upon the technical specs, as well as the various
companies and studios backing each format, we said in early 2006
that Blu-ray Disc seemed to have the advantage on paper, but much
would depend on the actual launch of each format. In April 2006, the
first HD-DVD players were delivered to retail here in the States,
with Blu-ray following in June. As we acknowledged then, both
formats were a user's mess upon arrival, but both quickly made
strides in working out their respective bugs. HD-DVD made sales
gains as the year progressed, but we believed that the real
competition would begin in the 4th quarter of 2006, when the Blu-ray
format began to deliver a fuller complement of hardware (including
the PlayStation 3) and software from its many supporting companies.
By January of 2007, Blu-ray Disc software began outselling HD-DVD
software on a week to week basis, and Blu-ray Disc hardware held its
own in sales numbers in spite of a $200 or more cost premium over
HD-DVD hardware. The Bits
continued to remain neutral, but throughout the first half of 2007,
we watched as various predictions made by the HD-DVD camp failed to
materialize: Low priced players would win the format war for HD,
porn would win the format war for HD, cheap Chinese players were the
answer for HD, combo players and discs would be the deciding factor,
etc. All have fallen by the wayside. Finally, by mid-2007, it became
clear to us at The Bits that
it was extremely unlikely that HD-DVD could ever actually win the
format war - the best they could hope for was to stay in the game.
We heard continued exclamations of "Let the consumer decide!"
But the simple fact was, most consumers were deciding to sit on the
sidelines, afraid of purchasing the losing format. And of those few
consumers who WERE actually buying high-def players and discs - the
early adopters - most of them weren't deciding either! They were
buying both. The result was an on-going stalemate, which we believed
then as now is bad for this industry - the home video equivalent of
endless trench warfare. And in the actual trenches - the many home
theater discussion groups online - things were getting very, very
ugly, just as we predicted. Enthusiasts were bitterly attacking one
another with sad regularity, and paid PR representatives for both
high-def camps were using enthusiasts to wage nasty spin and
disinformation campaigns. Enough was enough.
So in June of 2007, we decided it was time for The
Bits to get off the fence. We looked at all the data, all
the sales history and all the predictions for the coming months, and
decided to support Blu-ray Disc. This was no reflection upon the
video and audio quality delivered to enthusiasts by HD-DVD, which we
have long acknowledged is equal to that of Blu-ray. However, Blu-ray
had greater data storage capacity, greater software sales and strong
stand-alone hardware sales in spite of cost premiums, as well as
strong support via PlayStation 3 sales (which despite its initial
high cost as a game platform only, is a significant value for those
who want both a high-def player AND a gaming device - and it's also
future proof thanks to its ability to be firmware updated all the
way to BD profile 2.0). We believed that BD-Java, as an actual
programming language, might take longer to fully reach its potential
but was more robust in the long term that HDi, which is basically a
browser extension. We believed the fact that the vast majority of CE
manufacturers were backing Blu-ray over HD-DVD gave it a strong
market advantage and a better business model, where as Toshiba
remained the only major manufacturer supporting HD-DVD and was
having to drastically discount its hardware to move significant
numbers - a tactic that would only serve as a disincentive to other
CE manufacturers from joining them. Blu-ray already had the edge in
many markets around the world (Japan, Australia, etc), and we
believed that its built-in support as video recording and data
storage format would eventually make it popular with independent
filmmakers and the CE industry. And even back in June of last year,
Blu-ray had a clear advantage in Hollywood studio support over
HD-DVD, much of it exclusive. We believed then that backing Blu-ray
was the right decision, both for us and for our readers. Our advice
to them was simple: Either stay on the sidelines (the recommended
option) or, if you were going to risk getting into high-def, Blu-ray
seemed to us the better option. That continues to be our advice.
We've received some criticism in certain quarters online for our
move, but the response of the overwhelming majority of our readers -
especially those who have followed our advice - has been positive,
as has the response of our many friends and contacts within the home
video industry itself. Since then, our belief that we made the right
choice has only grown. While Paramount and DreamWorks abandoned
Blu-ray in August, their decision has had little effect on the
overall software sales numbers - Blu-ray software continued outsell
HD-DVD for the ENTIRE year of 2007. Blu-ray hardware prices have
grown more affordable, and stand-alone sales for Blu-ray have
increased accordingly. The PlayStation 3 has sold better in recent
months, and significant evidence supports the fact that many PS3
owners are watching and buying Blu-ray movies. More recently,
Blu-ray hardware and software outsold HD-DVD during the critical
holiday shopping season. Now Warner has announced its plans to
abandon HD-DVD in May, giving Blu-ray the exclusive support of 75%
of the Hollywood studios. Accordingly, we believe that both consumer
spending and retailer support decisions are likely to reflect a
continued and growing preference for Blu-ray in the months ahead,
and we'll be watching the situation closely to see if this comes to
pass. There's already ample evidence that consumers and retailers
are starting to abandon HD-DVD in 2008, including large declines in
HD-DVD software sales in recent Nielsen VideoScan weekly reports, a
decline in HD-DVD player sales in recent NPD Group market data, and
widespread reports of HD-DVD player clearance sales at retailers
around the country.
In any case, it seems abundantly clear to us at The
Digital Bits that while the format war isn't technically
over yet, the writing is on the wall. HD-DVD is now even more
unlikely to win than it was in June of 2007. Given that, the
continuation of the format war serves no one's best interests, aside
perhaps from the short term interests of Toshiba and others in the
HD-DVD camp. As such, we echo T.K. Arnold's call for Toshiba and
Microsoft, as well as Paramount and Universal, to end this format
war once and for all. The Hollywood studios and retailers simply
cannot afford to let another year's worth of mixed messages about
high-def packaged media be sent to consumers.
Meanwhile, in the online enthusiast community, things have actually
gotten so absurd in the last couple of weeks that there are now
dueling petitions to alternately
save
or kill
HD-DVD (complete with thousands of signatures real and fake, genuine
and mocking), and one discussion forum
recently
hosted a thread in which its members were casting the actors
who might star in a hypothetical Format
War: The Movie (predictably, what started in good humor
quickly became contentious and the thread was locked, like so many
others before it).
Bottom line: Ending this format war now is the right thing to do
for this industry and for consumers overall. It's time to stop all
the bitterness and the hostility, both real world and virtual, and
it's time to put this unnecessary and damaging dispute behind us.
It's just time.
Bill
Hunt, Editor
The
Digital Bits
billhunt@thedigitalbits.com |